The Emotional Depth Of Four Weddings And A Funeral

what makes four weddings and a funeral so good

Four Weddings and a Funeral is a 1994 British romantic comedy film directed by Mike Newell and written by Richard Curtis. The film follows an extended group of friends, including central character Charles (Hugh Grant), who are unlucky in love. The film is set across various weddings and a funeral, framing Charles's lacklustre love life through the romantic (and sometimes tragic) celebrations of others. It is considered a classic romantic comedy, with a fantastic supporting cast, witty dialogue, and a charming ensemble.

Characteristics Values
Genre Romantic comedy
Director Mike Newell
Screenplay Richard Curtis
Main cast Hugh Grant, Andie MacDowell, Kristin Scott Thomas, Simon Callow, John Hannah, Charlotte Coleman, David Bower, Corin Redgrave, Rowan Atkinson
Plot Follows the adventures of Charles and his circle of friends through a number of social occasions as they each encounter romance
Tone Light-hearted, enchanting, funny, ironic, perceptive, observant, witty, poignant, moving, sad
Themes Love, friendship, family, commitment, timing
Setting Various weddings and a funeral

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The chemistry between the two leads

Charles and Carrie meet at a wedding, and their flirtation begins immediately. Despite spending a night together, Carrie returns to the US, and their relationship seems over before it has begun. However, their paths continue to cross at various weddings and a funeral, and their chemistry is clear each time. Carrie is engaged to an older man, Hamish, but it is obvious she is falling for Charles, and he for her. Their relationship is consummated during the celebration following the second wedding, but Charles is too reticent to express his true feelings, even when his happiness is at stake.

The two leads have great on-screen chemistry, and their interactions are filled with sexual tension and humour. The audience is rooting for them to get together, even though their timing always seems to be off. It is clear that they are meant to be together, despite their flaws. Carrie marries Hamish, and Charles almost marries someone else, but in the end, they find their way back to each other.

The success of Four Weddings and a Funeral can be attributed in large part to the chemistry between Grant and MacDowell. Their performances elevate the film and make the audience invest in the outcome of their relationship.

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The strong supporting cast

The film is considered a fine example of an English romantic comedy, and the limelight is generously shared with a bevy of quirky supporting actors. The large cast of characters is one of the film's strengths, and director Mike Newell moves nimbly through the crowd, making introductions with his camera.

Writer Richard Curtis commented that every character, no matter how small, has a story, not just three funny lines.

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The script's wit and charm

The script of Four Weddings and a Funeral is considered witty and charming. Screenwriter Richard Curtis, who modelled the character of Charles after himself, has commented on the influence of director Mike Newell, who was "obsessed with keeping it real". Curtis has said:

> I come from a school where making it funny is what matters. Mike was obsessed with keeping it real. Every character, no matter how small, has a story, not just three funny lines. It's a romantic film about love and friendship that swims in a sea of jokes.

The script is also considered to be "smart and ironic, perceptive and observant, witty and poignant, moving and sad, all at the same time". The dialogue is described as sharp-witted, with one review stating that "the foul language seems funny and endearing, rather than problematic".

The script is also praised for its handling of the character of Gareth, who is gay. One review states that "the gay man in both films [Peter's Friends and Four Weddings and a Funeral] is a center of good feeling, and helps create a sense of family".

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The direction and pacing

The film has a natural, almost haphazard feel, introducing the audience to the large cast of characters in a way that feels organic and true to life. The audience is dropped into the world of the film, with its many weddings, in a way that feels like being at a wedding yourself. You glimpse people across a room, meet them, forget their names, are reminded, and then make a connection and figure out who they're with. Newell moves nimbly through the crowd, making introductions with his camera.

The pacing of the film is also key to its success. It is fast-moving and hilarious, packed with great jokes, scattered like confetti, and delivered by a cast who act their socks off. The script is smart and ironic, perceptive and observant, witty and poignant, moving and sad, all at the same time. This is a small miracle for a romantic comedy.

The film was shot in just 36 days, with a very tight budget, and this sense of urgency may have contributed to the pace of the final film. Newell and Curtis worked together to ensure that the film felt real, despite the farcical elements of the plot. Newell encouraged Grant to mess up and trip over his lines to give his character a stammering, nervous quality. This naturalistic approach to the direction and the pacing of the film, combined with the witty script and excellent performances, is what makes Four Weddings and a Funeral so good.

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The relatable premise

The premise of Four Weddings and a Funeral is a relatable one: who hasn't been to a string of weddings where it seems like everyone is pairing off, and you're wondering if you'll ever find love? This is the situation that Charles (Hugh Grant) finds himself in at the start of the film, and it's a scenario that many people can identify with.

The film follows Charles and his group of friends as they attend various weddings and a funeral, always seeming to be unlucky in love. At the first wedding, Charles meets a beautiful American named Carrie (Andie MacDowell), and he thinks his luck may have changed. However, after a magical night, Carrie returns to the US, and Charles is left wondering what could have been.

As the film progresses, we see Charles and Carrie's paths continue to cross, and their flirtation turns into a full-blown romance. We also get to know the other members of their group of friends, including the flamboyant Gareth (Simon Callow) and Charles's ex-girlfriend Fiona (Kristin Scott Thomas). The film does a great job of introducing us to these characters and making us care about them, even though the story is told in a haphazard way, jumping from wedding to wedding.

Another relatable aspect of the film is the portrayal of Charles's dysfunctional relationships with his friends and ex-girlfriends. We see that he is a serial monogamist who is afraid of commitment and struggles to express his true feelings. This is something that many people can relate to, and it adds to the overall charm of the film.

Frequently asked questions

The film is a charming, witty, and poignant romantic comedy with a fantastic ensemble cast. It is a feel-good movie with a great script and strong performances, making it a classic in the genre.

The film follows an extended group of friends, including the central character, Charles, a perennial best man who is unlucky in love. He meets an American woman, Carrie, at a wedding, and they begin a flirtation that develops into a romance. The story is set against the backdrop of various weddings and a funeral, highlighting Charles's lacklustre love life.

The film was made in just six weeks with a budget of under £3 million. It was an unexpected success, becoming the highest-grossing British film at the time and receiving multiple award nominations. The cast and crew initially thought the film would be a disaster, but it ended up being a huge hit with audiences and critics alike.

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