Deborah Chan
Martin Scorsese's 2019 gangster film 'The Irishman' is a crime epic starring Robert De Niro, Al Pacino, and Joe Pesci. The film follows Frank Sheeran (De Niro) who becomes a hitman for the mobster Russell Bufalino (Pesci). The Irishman's soundtrack, supervised by Robbie Robertson, includes original and existing music tracks, with songs from the 1940s and 1950s that capture the mood and time period of the film. During the wedding scene in 'The Irishman', the song In the Still of the Night by The Five Satins is played, setting the mood and time period of the film.
| Characteristics | Values |
|---|---|
| Film Name | The Irishman |
| Director | Martin Scorsese |
| Genre | Biography, Crime, Drama, Gangster |
| Music Supervisors | Robbie Robertson, Randall Poster |
| Music Characteristics | Timeless, Original, Existing, Soundtrack, Score |
| Songs | "In the Still of the Night", "Qué Rico el Mambo", "Spanish Eyes", "Remembrance", "I Hear You Paint Houses", "Theme for The Irishman", "You Belong To Me", "Tuxedo Junction", "Song of the Barefoot Contessa", "A White Sport Coat (And a Pink Carnation)", "Honky Tonk, Pt. 1", "Mannish Boy", "Delicado", "Smiley Lewis Track", "Bill Doggett Classic", "Piaf's Song" |
| Artists | The Five Satins, Hugo Winterhalter and His Orchestra, Ray Conniff, Marty Robbins, Bill Doggett, Muddy Waters, Robbie Robertson, Jo Stafford, Glenn Miller and His Orchestra, Jerry Vale |
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What You'll Learn
- The Irishman includes a mix of original and existing music tracks
- The soundtrack includes mostly songs from the 1940s and 1950s
- Scorsese uses music to create a certain mood and add to the characters' actions
- The film's music score was written by Robbie Robertson
- The film opens and closes with The Five Satins' In The Still Of The Night
The Irishman includes a mix of original and existing music tracks
The 2019 American epic gangster film The Irishman, directed and produced by Martin Scorsese, includes a mix of original and existing music tracks. The film's music score was composed by musician Robbie Robertson, who also collaborated with Scorsese on the soundtrack. Robertson described the score as "an unusual feat", as the music had to capture "a sound, a mood, a feel, that could work, over the many decades that this story takes place".
The Irishman's soundtrack includes mostly songs from the 1940s and 1950s, with a few timeless tracks that fit the context of the film, despite its story spanning several decades. Scorsese is known for his iconic musical choices in films, and The Irishman is no exception. The film opens and closes with The Five Satins' "In The Still Of The Night", setting the mood and time period. Other notable songs include "Qué Rico el Mambo", "Spanish Eyes" by Jerry Vale, "Remembrance" by Robertson, and "I Hear You Paint Houses", which is also the title of the book the film is based on.
The Irishman also features original music by Robertson, including the "Theme for The Irishman", which is the only piece from his score included on the official soundtrack. The film's music helps to accentuate jumps in time and location, with long periods of gentle underscore rather than wall-to-wall pop songs. The music in The Irishman is carefully selected to create different atmospheres and add depth to the characters' actions, feelings, and overall essence in various scenes.
The film includes a range of music genres, from swinging jazz guitar to seductive, strip-club-like sax licks, and driving R&B styles. The Irishman's music contributes to its aural landscape, enhancing the storytelling and creating an immersive experience for viewers.
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The soundtrack includes mostly songs from the 1940s and 1950s
The Irishman, directed by Martin Scorsese, is a 2019 American epic gangster film. The film's soundtrack includes both original and existing music tracks, with musician Robbie Robertson and music supervisor Randall Poster in charge of the music. The soundtrack includes mostly songs from the 1940s and 1950s, with a few exceptions, such as the theme song "Theme for The Irishman" composed by Robertson. The music in the film helps to create different atmospheres and add to the characters' actions, feelings, and overall essence in different scenes.
The 1950s songs in the soundtrack include "In the Still of the Night" by The Five Satins, which opens and closes the film, and "Qué Rico el Mambo", which is played when Anthony "Tony Pro" Provenzano is introduced. Fred Parris' "A White Sport Coat (And a Pink Carnation)", released in 1958, is also featured in the film, setting the mood and time period. Another 1950s song that appears in the film is "Honky Tonk, Pt. 1" by Bill Doggett, which has a seductive, strip-club-like sax lick and a driving R&B style.
The 1940s songs in the soundtrack include "You Belong to Me" by Jo Stafford, which is played when Frank leaves his wife for a new waitress. "Spanish Eyes" by Jerry Vale is another 1940s song that is played during a dancing scene after Frank gets his prize. Additionally, "Song of the Barefoot Contessa" by Hugo Winterhalter and His Orchestra is played during Dolore's baptism.
The inclusion of these songs from the 1940s and 1950s gives the film a timeless quality, even though the story spans many decades. The music helps to create a unique aural landscape that accentuates jumps in time and location, deepening the integration of sound and story beyond typical montage moments.
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Scorsese uses music to create a certain mood and add to the characters' actions
Martin Scorsese's The Irishman is a prime example of the director's skill in employing music to establish distinct atmospheres and amplify the characters' actions, emotions, and overall essence in various scenes. The film's soundtrack, supervised by Robbie Robertson and Randall Poster, includes both original and existing tracks, with Robertson also composing the score.
Scorsese is known for his iconic musical choices in films, and The Irishman is no exception. The movie opens and closes with The Five Satins' "In The Still Of The Night," setting the tone for the audience's journey through Frank Sheeran's life in a retirement home. Scorsese and his team carefully selected songs to create a specific mood and enhance the characters' experiences. For instance, "Qué Rico el Mambo" plays when Anthony "Tony Pro" Provenzano is introduced, adding a layer of characterisation and setting the tone for the scene.
The Irishman also uses music to signify shifts in time and location. Fred Parris' 1958 doo-wop song, previously featured in Dirty Dancing and American Graffiti, is played several times to establish both the mood and the time period. Similarly, Dave Bartholomew's 1949 track, co-written by Antoine Domino Jr. (Fats), hints at the emergence of rock and roll, reflecting the era depicted in the film. Scorsese's deliberate song choices, such as the harmonica and piano number from the 1954 film Touchez Pas au Grisbi, contribute to the overall atmosphere and tone of the film.
The film also features swinging jazz guitar music during a celebratory dinner and dancing scene, adding to the joyous mood. Additionally, Hugo Winterhalter's music is featured several times in the film, including during Dolore's baptism and Frank's family bowling outing. The Irishman's soundtrack primarily consists of songs from the 1940s and 1950s, yet they possess a timeless quality that seamlessly fits the story's narrative spanning several decades.
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The film's music score was written by Robbie Robertson
The film score for Martin Scorsese's The Irishman was written by musician Robbie Robertson, who also produced and composed music for the film's soundtrack. Robertson is a longtime collaborator of Scorsese's, having worked with the director on films such as Raging Bull, Casino, The Departed, and The Wolf of Wall Street. Robertson and Scorsese have collaborated for over four decades, with their relationship beginning around 1978 when Scorsese directed the documentary The Last Waltz, which captured the dissolution of Robertson's group, The Band. Robertson moved into Scorsese's house on Mulholland Drive shortly after, where they spent days and nights fuelled by music, movies, and cocaine.
Robertson's score for The Irishman was described by the musician as "an unusual feat", as they were trying to discover "a sound, a mood, a feel, that could work, over the many decades that this story takes place". The film spans several decades, but the soundtrack mostly features songs from the 1940s and 1950s, such as "In the Still of the Night" by The Five Satins, "A White Sport Coat (and a Pink Carnation)" by Marty Robbins and Ray Connie, and "Qué Rico el Mambo" by Pérez Prado.
Robertson's creative process for the film's score involved creating a sound that he had never made before. He did not read or write music, so he communicated with the musicians in a poetic manner, describing sounds, rhythms, and feelings. This approach allowed him to twist things around and go inside the listener in a unique way, avoiding the traditional "boom-boom-boom-boom" of movie music. Scorsese also shared this vision, instructing Robertson to ensure that the music did not sound like traditional movie music.
The Irishman is an epic crime drama based on the book I Heard You Paint Houses by Charles Brandt. It tells the story of an alleged mafia hitman named Frank "The Irishman" Sheeran, played by Robert De Niro. The film also stars Al Pacino, Joe Pesci, and Harvey Keitel, among others. The Irishman is Scorsese's most expensive film yet, and it showcases the director's mastery in using music to create different atmospheres and add depth to the characters' actions, feelings, and overall essence.
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The film opens and closes with The Five Satins' In The Still Of The Night
Music is integral to Martin Scorsese's 2019 gangster film, The Irishman. The film's soundtrack includes both original and existing music tracks, with musician Robbie Robertson and music supervisor Randall Poster in charge of the music. Robertson also wrote the score, marking his 10th collaboration with Scorsese.
The film opens and closes with The Five Satins' "In The Still Of The Night". This song, written by Fred Parris, has appeared in several iconic film scenes, including Dirty Dancing and American Graffiti. It was originally released in 1958 as a B-side and peaked at number 24 in the charts. The doo-wop song has gained recognition through its use in popular soundtracks and cover versions, such as by Boyz II Men.
The use of "In The Still Of The Night" in The Irishman sets the mood and time period of the film, which spans several decades. Scorsese is known for his iconic musical choices, such as in Mean Streets ("Be My Baby" by The Ronettes) and Goodfellas (the piano outro from "Layla" by Derek and the Dominos). In The Irishman, the music is integrated more deeply into the film, with long periods of gentle underscore rather than wall-to-wall pop songs.
The Five Satins' song is played at the beginning and end of the film as the audience watches Frank Sheeran's life in a retirement home. This bookends a story that follows Sheeran (played by Robert De Niro), a truck driver who becomes a hitman for the Pennsylvania crime family led by Russell Bufalino (Joe Pesci) and later works for the powerful Teamster Jimmy Hoffa (Al Pacino).
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