Harry And Meghan's Wedding Music

what music playedat meaghan and harrys wedding

The music played at Prince Harry and Meghan Markle's wedding was a mix of classical and contemporary pieces, with a focus on British composers. The ceremony featured a large orchestra conducted by Christopher Warren Green, including pieces by Elgar, Vaughan Williams, and Peter Warlock. The couple's first dance was to I Wanna Dance with Somebody (Who Loves Me) by Whitney Houston, and they also included some classic pop songs in their reception playlist, such as I Wanna Dance With Somebody by Whitney Houston, Wannabe by the Spice Girls, and Stand By Me performed by Karen Gibson and The Kingdom Choir.

Characteristics Values
Date of the wedding 19 May 2018
Bride's procession song "Eternal Source of Light Divine", by George Frideric Handel
First dance song "I Wanna Dance with Somebody (Who Loves Me)", by Whitney Houston
Cellist Sheku Kanneh-Mason
Cellist pieces Paradis' 'Sicilienne', Fauré's 'Aprés un rêve', and Schubert's 'Ave Maria'
Choir The Kingdom Choir
Choir piece 'Stand By Me'
Other songs 'This Little Light of Mine', 'Lord of All Hopefulness', 'If Ye Love Me' by Thomas Tallis, 'Salut d’Amour' by Elgar, 'Fantasia on Greensleeves' by Vaughan Williams, 'Capriol Suite' by Warlock, 'St Paul’s Suite' by Holst, 'Psalm-Prelude Set 1, No. 2' by Howells, 'Prelude and Fugue in G Major, BWV 541' by Bach, 'Land of 1000 Dances' by Wilson Pickett

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Processional music: 'Eternal Source of Light Divine' by Handel

Music played a pivotal role in Prince Harry and Meghan Markle's wedding, with the couple expressing their desire for it to be ""fun" and including a mix of classic pop songs and traditional wedding music. The processional music, however, was a classical piece: "Eternal Source of Light Divine" by George Frideric Handel, more commonly known by its original title, "Ode for the Birthday of Queen Anne".

Handel's "Eternal Source of Light Divine" is a secular cantata, which was likely composed for Queen Anne's birthday on 6 February 1713, though there is no record of it being performed then. The piece is scored for three solo voices, choir, and chamber orchestra, and its original title comes from the first line of the song. Over the centuries, this opening line has become an alternative title.

The use of "Eternal Source of Light Divine" as the processional music for Meghan Markle's entrance at St. George's, Windsor, was a perfectly apt choice, with the song's lyrics and melody capturing the essence of a wedding ceremony. The song has endured as a beloved piece of wedding music, offering a blend of classical elegance and romanticism.

The performance of "Eternal Source of Light Divine" at the royal wedding showcased the talent of soprano Elin Manahan Thomas, who sang the Baroque classic as Meghan Markle walked up the aisle. The song's inclusion in such a high-profile event instantly elevated its status, becoming beloved by people worldwide.

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Gospel choir performance: 'Stand By Me'

The London-based Kingdom Choir performed a gospel rendition of "Stand By Me" at Prince Harry and Meghan Markle's wedding. The choir was conducted by Karen Gibson, who chose the song as a nod to Markle's biracial background, symbolising the inclusivity of the modern-day monarchy. The choir's performance was a highlight of the ceremony, and the group has since gained international prominence.

The Kingdom Choir is a London gospel group that has gone on to perform at other notable events, including the closing ceremony of the Invictus Games in Sydney. The choir's performance of "Stand By Me" at the royal wedding was particularly poignant, with the royal couple holding hands as the group sang Ben E. King's classic hit. The song's message of love and support seemed to resonate with the newlyweds, who chose a unique and diverse range of music to reflect their personalities and values.

The choir's performance began after Reverend Michael Bruce Curry's stirring address. The group sang with passion and soul, their voices filling the chapel with a blend of harmony and emotion. The song's famous lyrics, "Stand by me, darlin', stand by me", took on a new meaning in the context of a wedding celebration, symbolising the couple's commitment and support for each other. The choir's powerful vocals and the song's uplifting message created a memorable moment that touched the hearts of those in attendance and viewers worldwide.

The Kingdom Choir's rendition of "Stand By Me" was not just a musical performance but also a statement of unity and inclusivity. The song choice celebrated Markle's biracial heritage and sent a message of acceptance and diversity. The choir's performance became a highlight not just of the wedding but also of the group's own career, launching them into the spotlight and leading to new opportunities and a wider audience.

The impact of the choir's performance extended beyond the wedding day. The Kingdom Choir's unique interpretation of "Stand By Me" touched people worldwide, with the group's following increasing significantly after the wedding. The song's message of love and support, combined with the powerful vocals of the choir, created a moment that resonated with many. The Kingdom Choir's performance at such a prominent event also served as a platform for gospel music and diverse talent, inspiring and empowering others.

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First dance: 'I Wanna Dance With Somebody' by Whitney Houston

The music played at Prince Harry and Meghan Markle's wedding was an eclectic mix of classic and modern, with a few surprises thrown in. The couple's first dance was to the 1966 hit "Land of 1000 Dances" by Wilson Pickett. However, one of the most memorable moments of the night was when the newlyweds shared their first dance as husband and wife to "I Wanna Dance With Somebody" by Whitney Houston. This song, originally released in 1987, was a huge hit for Houston and became a staple of wedding dance floors worldwide.

The royal wedding was a star-studded affair, with a number of famous artists performing throughout the night. One of the most talked-about performances was by none other than Sir Elton John, a close friend of the royal family. Another notable performance was by DJ Idris Elba, who kept the guests on their feet with a set that included Whitney Houston's "I Wanna Dance With Somebody". This particular song was reportedly a highlight of the night, getting everyone on the dance floor and creating a joyful atmosphere.

"I Wanna Dance With Somebody" holds a special place in popular culture, not only as a beloved dance anthem but also as the title of the 2022 biographical musical drama film about Whitney Houston's life. The film, directed by Kasi Lemmons, showcases the iconic singer's life and career, including her rise to fame, personal struggles, and impact on the music industry. The song's appearance in the film further solidified its place in cultural history.

The choice of "I Wanna Dance With Somebody" for their wedding dance reflects the couple's fun and lighthearted approach to their special day. Meghan Markle had expressed her desire for the music to be enjoyable above all else, and this song certainly delivered on that front. The upbeat tempo, catchy lyrics, and Houston's powerful vocals combined to create the perfect atmosphere for the royal couple's first dance.

Overall, the music played at Prince Harry and Meghan Markle's wedding, including their first dance to "I Wanna Dance With Somebody," captured the joy and celebration of their union, setting the tone for a memorable and unique royal wedding.

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Cellist Sheku Kanneh-Mason's performance: 'Sicilienne' by Paradis

The music played at the wedding of Meghan Markle and Prince Harry was a mix of classic pop and gospel. The couple's first dance was to Wilson Pickett's 1966 hit, "Land of 1000 Dances". The ceremony also included performances by the traditional choir of St. George's Chapel, led by James Vivian, and a gospel choir conducted by Karen Gibson, called the Kingdom Choir.

One of the most memorable musical moments of the wedding was the performance by cellist Sheku Kanneh-Mason. Kanneh-Mason is a British cellist who won the 2016 BBC Young Musician award, becoming the first Black musician to win the competition since its launch in 1978. He was invited to perform at the royal wedding under the direction of Christopher Warren-Green. His performance was greeted with universal excitement and was watched by nearly two billion people worldwide.

Kanneh-Mason played three pieces during the signing of the register: "Sicilienne" by Paradis, "Après un rêve" by Fauré, and "Ave Maria" by Schubert. "Sicilienne" is a favourite among cellists and is a transcription of Maria Theresia von Paradis' most famous work. It was a perfect choice for the royal wedding, with its elegant and romantic melody. Kanneh-Mason's performance highlighted the beauty of the piece and added a touch of classical elegance to the ceremony.

"Après un rêve", the second piece performed by Kanneh-Mason, is a romantic and dreamy composition by Fauré. The piece translates to "after a dream" and is described as 'a dream of romantic flight with a lover, away from the earth, and "towards the light"'. This piece perfectly captured the love and joy of the royal couple's special day. Kanneh-Mason's rendition added a touch of French sophistication to the musical selections.

The final piece performed by Kanneh-Mason was "Ave Maria" by Schubert. This melody is one of Schubert's most enduring and is a popular choice for weddings. Kanneh-Mason's performance on the cello beautifully showcased the emotional depth of the piece. "Ave Maria" was a fitting conclusion to Kanneh-Mason's set, leaving a lasting impression on the royal couple and their guests.

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Cellist Sheku Kanneh-Mason's performance: 'Après un rêve' by Fauré

The royal wedding of Meghan Markle and Prince Harry featured a stunning musical performance by cellist Sheku Kanneh-Mason, who played a selection of classical pieces during the signing of the register. One of the highlights of his performance was the romantic and dreamy "Après un rêve" by Gabriel Fauré.

"Après un rêve" is a French musical composition that translates to "After a Dream". It was originally a poem written by Romain Bussine and set to music by Fauré in 1877. The piece is known for its lyrical and expressive melody, capturing the essence of the poem's dreamy and romantic imagery.

Sheku Kanneh-Mason's rendition of "Après un rêve" added a touch of elegance and emotion to the royal wedding ceremony. The piece created a moment of calm and reflection during the busy wedding proceedings. Kanneh-Mason's performance showcased his exceptional musical talent, which has since taken the classical music world by storm.

The young cellist's performance at the royal wedding catapulted him into the spotlight, with his name trending on social media as #CelloBae. Kanneh-Mason's talent and presence at such a significant event inspired people worldwide, particularly as he was the first black musician to win the BBC's Young Musician of the Year Award in 2016.

Sheku Kanneh-Mason's performance of "Après un rêve" by Fauré, along with other classical pieces, added a touch of timeless beauty to the royal wedding of Meghan and Harry. His contribution to the ceremony will forever be etched in the memories of those who witnessed it.

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Frequently asked questions

Prince Harry chose the music for Meghan Markle's procession at their wedding. The song was "Eternal Source of Light Divine" by George Frideric Handel.

Meghan and Harry's first dance was to "I Wanna Dance with Somebody (Who Loves Me)" by Whitney Houston.

The couple's wedding playlist featured a mix of classic pop songs, including "Land of 1000 Dances" by Wilson Pickett, "I Wanna Dance with Somebody" by Whitney Houston, "Wannabe" by the Spice Girls, and "Stand By Me" by Ben E. King, performed by a gospel choir.

The talented cellist who stole the show at the wedding was Sheku Kanneh-Mason. He played three pieces: Paradis' 'Sicilienne', Faure's 'Apres un reve', and Schubert's 'Ave Maria'.

During the prelude to the ceremony, a large quotient of British composers was represented, including Elgar, Vaughan Williams, and Peter Warlock. Pieces played by the assembled orchestra conducted by Christopher Warren Green included "Salut d'Amour" and "Fantasia on Greensleeves".

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