Lyla Dejesus
Princess Kate's wedding dress, designed by Sarah Burton for Alexander McQueen, was a vintage-style corset dress with a floral theme. The dress was kept a secret until the wedding day, and replicas were produced and sold shortly after. When gluing air-dry clay, it is best to use a water-based glue such as Elmer's School Glue or Gorilla Glue. To achieve the strongest bond, clean the clay pieces with soap and water, dry them, and apply a small amount of glue to the edges before joining them together.
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What You'll Learn
Use water-based glue for air-dry clay
When working with air-dry clay, you may notice that it can be quite fragile and prone to damage, especially when sculpting intricate and delicate pieces. To strengthen air-dry clay, it is recommended to build your sculpture with a thickness of at least 1cm to ensure sturdiness. For larger pieces, thicker walls can be built up in layers to ensure even drying and stronger bonds between the clay fibres.
However, for delicate pieces with thin edges, you can incorporate some PVA glue (white Elmer's glue) directly into the clay by kneading it in. Alternatively, you can mix the PVA glue with water and use this mixture instead of clear water while sculpting. This technique will make the clay firmer and more durable, although it will be more challenging to sand down.
By using PVA glue, you can strengthen the tiny paper fibres in the clay, creating a stronger bond. This method is particularly useful for fragile areas such as fingers or ears in art dolls or sculptures.
Additionally, when sculpting with air-dry clay, consider building a wire armature first. This will provide a strong base for your sculpture and help hold the clay together, reducing the risk of breakage.
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Loctite Super Glue Gel Control for pottery
Loctite Super Glue Gel Control is ideal for repairing pottery as it works on a wide range of common materials, including ceramic. Its rubber-toughened formula is Loctite's most durable, resisting impact, shock, and vibration, temperature extremes, and moisture. This makes it suitable for materials subject to daily use and harsh conditions.
The gel formula is also ideal for vertical applications as it does not drip or run, allowing for maximum control and precise application. Once applied, the glue dries clear in 30-45 seconds and sets without clamping. It forms resilient bonds that cure fully in 12 to 24 hours.
To use Loctite Super Glue Gel Control, follow these steps:
- Screw the cap clockwise continuously into the base until you hear a clicking sound, which indicates that the nozzle has been punctured.
- Unscrew the cap counter-clockwise to open the bottle.
- Squeeze the blue side grips to dispense the adhesive.
- Press the surfaces of the pottery together immediately and hold for 15-30 seconds.
- Clean the tip of the nozzle with a tissue and replace the cap.
- Clean up any uncured residue with acetone.
- Scrape away any cured adhesive using a sharp-edged tool.
It is important to note that Loctite Super Glue Gel Control is not recommended for use on certain materials, such as bone china, glass, or in dishwashers, ovens, or microwaves. Always refer to the manufacturer's instructions and take the necessary precautions when using super glue products.
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Princess Kate's wedding dress designer
On 29 April 2011, Catherine Middleton, now known as the Princess of Wales, married Prince William at Westminster Abbey. The bride wore an Alexander McQueen gown designed by Sarah Burton, the British creative director of the luxury fashion house. Burton had been artistic director at Alexander McQueen for several years when she was commissioned to create the highly anticipated wedding dress.
The dress combined "tradition and modernity with the artistic vision that characterises Alexander McQueen's work", according to the Palace. It featured a Victorian-style padded hip and narrowed waist, a signature design element of McQueen, and a long-sleeved lace overlay. The lace bodice echoed that of Grace Kelly's wedding dress, while the floral motifs in the lace designs included roses, thistles, daffodils and shamrocks—representing the national flowers of England, Scotland, Wales and Northern Ireland, respectively.
The Princess of Wales also wore a second dress in the evening, also designed by Burton for Alexander McQueen. This dress was made of white satin with a strapless neckline, a full circle skirt, and a diamante-embellished waist. She accessorised the look with a fuzzy white shrug.
The wedding dress was widely anticipated and generated much comment in the media. Replicas of the dress were produced and sold, and the original dress was displayed at Buckingham Palace from 23 July 2011 to 3 October 2011 during the annual summer exhibition.
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The Royal School of Needlework
In 2021, the Royal School of Needlework celebrated its 150th anniversary by launching the RSN Stitch Bank, a digital archive that provides detailed information about selected stitches, their history, and usage. The school also showcased its work in the "150 Years of the Royal School of Needlework: Crown to Catwalk" exhibition at the Fashion and Textile Museum of London in 2022. This exhibition highlighted the versatility of embroidery and how historical techniques can be adapted to modern art pieces.
The RSN was involved in creating Kate Middleton's, now the Princess of Wales, unforgettable wedding dress. The team of seamstresses working on the Alexander McQueen gown, including staff, former staff, tutors, graduates, and students from the Royal School of Needlework, meticulously protected the brilliance of the lace and threads by washing their hands every 30 minutes.
Unfortunately, I could not find specific information on gluing clay together in the context of Princess Kate's wedding dress. However, the Royal School of Needlework's expertise in embroidery, restoration, and conservation may be a valuable resource for repairing and preserving delicate fabrics and materials.
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Princess Kate's wedding dress influences
Princess Kate's wedding dress, designed by Sarah Burton, the artistic director of Alexander McQueen, was a stunning hand-crafted lace corseted bridal gown. The dress was highly anticipated and generated much comment in the media. It was noted for its design, symbolism, and expected influence on Western bridal gown trends.
The dress combined "tradition and modernity with the artistic vision that characterizes Alexander McQueen's work", according to the Palace. This combination of traditional and modern elements was a key influence on the dress's design. The lace bodice of the dress, for example, echoed that worn by Grace Kelly for her marriage to Rainier III, Prince of Monaco, in 1956. The skirt and train of Princess Kate's dress were made from Solstiss lace, the same lace used for Grace Kelly's wedding dress.
The dress also had a Victorian influence, with its narrowed waist and padded hips reflecting both Victorian corsetry traditions and Alexander McQueen's own designs. Additionally, comparisons were drawn between Princess Kate's dress and those of Princess Margaret and Queen Elizabeth II, particularly in terms of silhouette. The choice of a British fashion house was also significant, with Kate reportedly choosing Alexander McQueen for its devotion to craftsmanship and respect for traditional workmanship.
The dress also had a significant impact on wedding fashion in the years following the royal wedding. The choice of long sleeves, for example, was seen as a departure from the strapless wedding gowns that had been popular. The dress's overall style and elegance influenced bridal styles, with many women around the world copying Princess Kate's bridal look.
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