
Wedding photography is a challenging task, and using flash can be a great way to ensure you get the perfect shot. Flash photography can be used to create dynamic, interesting, and professional images, especially in low-light conditions. There are various techniques to use flash, including on-camera and off-camera flash, and different modifiers like diffusers and gels can be used to soften the light and create different effects. It's important to know when to use flash and when natural light is sufficient, and photographers should also be aware of any guidelines or restrictions on flash photography at the venue. With the right tools and techniques, photographers can capture the magic of a wedding, from the couple's portraits to the guests' candid shots on the dance floor.
Using Flash for Wedding Photography
| Characteristics | Values |
|---|---|
| Flash Types | Off-camera flash, constant lights, On-camera flash |
| Flash Gear | Nikon z7II camera, Nikon speedlight SB-700, Nikon SB-5000, Canon Speedlite 430EX III-RT, Godox V1, Flash diffuser, Bounce card, MagMod kit, MagGrid, Xplor 600 |
| Flash Techniques | Bounce flash, High-Speed Sync (HSS), TTL Mode, Manual Mode, Flash Exposure Compensation |
| Flash Placement | At a 45-degree angle to the subject, opposite sides at the back of the room, high up (11-12 feet) |
| Lighting Conditions | Dynamic environments with rapidly changing lighting, low light, indoor ceremonies, dark venues, bright backgrounds |
| Other Considerations | White balance, metering, ISO settings, aperture, shutter speed, rechargeable batteries |
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What You'll Learn

Flash photography basics
There are various types of flash techniques, including on-camera flash, off-camera flash, and direct flash. On-camera flash is when the flash is mounted on your camera. This can be softened by bouncing it off a wall, ceiling, or bounce card, or by using a flash modifier such as a diffuser. Off-camera flash is when the flash is placed off the camera, typically on a light stand, and positioned at a flattering angle to the subject. Direct flash refers to an on-camera flash pointed directly at the subject, resulting in a bright, evenly-lit photo.
When using flash, you will need to consider the gear you will use. The basic gear for on-camera flash includes a flash, a diffuser such as a MagMod Bounce, and a battery pack. For off-camera flash, you will need a trigger attached to your camera to control the flashes. You can also use radio transmission to communicate between your camera and flashes.
Finally, it is important to understand how shutter speed affects flash. Shutter speed does not affect flash exposure because the flash fires at a speed much faster than the length of time that the shutter is open. Therefore, you can leave your shutter open for a minute, and as long as there isn't any other light hitting your subject, your exposure will be the same as if your shutter was only open for 1/100 of a second.
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Off-camera flash
Manual Mode
When using off-camera flash, you can take control of the flash power by shooting in Manual Mode. Start with a low power setting, such as 1/32 or 1/16, and adjust according to the ambient light and your desired effect. This is a great setting to use when you want consistent flash output, such as during speeches or on the dance floor.
Bounce Flash
For a softer, more flattering light, try Bounce Flash. Instead of pointing the flash directly at your subjects, bounce the light off a wall or ceiling. This technique works especially well in rooms with light-coloured walls or ceilings, enhancing your photos and creating a more natural look.
Flash Exposure Compensation
Flash Exposure Compensation allows you to adjust the brightness of your flash up or down, giving you greater control over the lighting in your photos.
High-Speed Sync (HSS)
HSS allows you to use flash at shutter speeds faster than your camera's typical sync speed (often around 1/200th of a second). This is useful when capturing well-lit subjects against a bright sky or when using wide apertures in daylight to create a dreamy, blurred background.
Portrait Photography
Detail Shots
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On-camera flash
One technique is to use a modified on-camera flash pointed directly up to reduce the harshness of the light on your subjects. This can be especially useful when photographing the bride and groom, as it will illuminate them without washing out the background. You can also experiment with different power settings to adjust the brightness of the flash.
Bouncing the flash off a wall or ceiling is another effective method. This diffuses the light, making it softer and more flattering, and can be particularly useful when shooting indoors with light-coloured walls or ceilings.
For more creative portraits, try using a three-light setup with two flashes firing from either side of the camera and one modified flash on-camera pointed towards the sky. This will give a pop of light to the front of the subject while maintaining the ambient light.
Remember to keep your lights secure and out of the way to avoid accidents and broken equipment.
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Manual mode
When using manual mode, you can also try bouncing the flash off the ceiling or a wall instead of pointing it directly at your subjects. This technique, called "bounce flash," diffuses the light and makes it softer and more flattering. Just be careful not to bounce the light off a coloured surface, as it could light the room in that colour. Additionally, if you're using multiple lights in manual mode, you'll need to ensure they're positioned correctly to avoid creating hotspots at the edge of the frame or having them accidentally appear in the shot.
While manual mode offers more control, it can also be time-consuming, and you may need to take test shots to adjust your settings. This may not be suitable for all types of weddings, especially fast-moving receptions. In such cases, TTL (Through the Lens) mode might be a better option as it automatically calculates the correct amount of light needed for a good exposure, making it quicker and easier to use. However, TTL can also be less reliable as the camera may not always get the exposure right. Ultimately, the choice between manual and TTL mode depends on personal preference and the specific wedding situation.
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Flash exposure compensation
FEC is particularly useful in situations where the lighting conditions change rapidly, such as weddings. When using FEC, it is important to consider the tonality of the scene in front of the lens. If the scene is light in tone, exposure compensation may need to be added, while it should be decreased if the scene is darker in tone.
FEC can be set on the flash unit itself, and some cameras also have a button on the camera body to adjust FEC without taking your eye from the viewfinder. FEC is available in auto or TTL flash modes, where the camera's metering system determines the flash output. In manual mode, the flash output is adjusted directly by dialling the power output up or down.
When shooting with a Nikon camera and an external flash unit in Manual mode, it is recommended to use the Shutter speed and Aperture to balance the ambient light, and FEC to balance the flash output power to the main subject. On the other hand, Canon cameras allow independent control of ambient light and flash output to manage overall exposure.
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Frequently asked questions
There are three flash options when it comes to photography: off-camera flash, constant lights, and on-camera flash. Each of these has different purposes and can be used in different ways depending on your style of photography.
It is recommended to use your camera brand's flash, as you will know it is compatible and it will have fewer issues firing. Investing in a high-quality external flash will make a huge difference in the outcome of your photos.
You can use Manual Mode when you are more comfortable and want complete control over the flash power. Start with a low-power setting and adjust based on your desired effect and the ambient light. You can also use High-Speed Sync (HSS) to capture well-lit subjects against a bright sky.
Practice with different flash setups and see what works best for you. For example, you can use a single flash at a 45-degree angle to the subject to create a more dramatic photo. You can also try bouncing the flash off a wall or ceiling to diffuse the light and make it softer and more flattering.
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